Shift in Focus

September 22, 2015 § Leave a comment

This is the last of the series of black and white pencil drawings of my friend Hazel based upon the theme of reflection.  Here the focus and clarity shifts from the person to the reflection in the mirror.  One can see how sparse the small room was in the nursing home.  This stands in stark contrast to her environment at home where she had fine china, her grand piano, and a spacious and lovely setting. Yet she was gracious to the end, accepting what life handed her

.Hazel in the Mirror

Reflection

September 15, 2015 § Leave a comment

Closeup of HazelThis is another drawing of Hazel; a dear friend.  This was part of a series based upon the theme of the mirrored image.  The focus shifted from the self to the mirror.  It brings new meaning to subject of reflection as we ponder ourselves and our place in this world.

Using Form as Framework

July 16, 2015 § 2 Comments

This is a watercolor of my Mother holding my sister, Karlin.  My Mother’s form was not completed with detail, but instead was used a  stabilizing and supporting element surrounding the baby.  Notice how the arms and legs of the mother leads you into the area of focus; the child.

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Garden Goddess

July 4, 2015 § 1 Comment

I’m reblogging a previous post entitled Garden Goddess as some of my settings were not intact.   Additional hue was added to a color pencil drawing to provide more differentiation between the foreground, middle ground, and the background.

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Dynamic Composition

June 25, 2015 § Leave a comment

This pencil drawing illustrates the creation of balance on the page.  The fan like light leaves spread out over the dark foliage of leaves and stems.  The light value of the leaves connects with the space and shadows around the plant providing a strong pathway from objects nearest to us and those furthest away. The result is a dynamic composition filled with dramatic movement

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Garlic Still Life

April 8, 2015 § 2 Comments

I’m showing the informative nature of the contour as it provides the framework for the finished gradation of garlic and cloves. contour of garlic Notice how the contour allows you to reveal your thought process of compositional considerations, the light source, area of emphasis. Once you have determined those elements, you are free to keep your eye on the subject and allow your personality to flow out onto the page. At this point, I keep my eye on the subject, let my hand become an extension of the eye, and rarely look at the surface of the paper. The contour line moves from light to dark describing the three dimensional nature of the subject, the light source, and the storyline you have set forth. Notice how my contour is curvilinear in nature. Yours will be very different. You can find examples such as these in my book The Little Book of Drawing; a Friendly Approach. My teaching style is encouraging in nature and allows you to try different media, techniques, and to find your own personal style of story telling through drawing. gradated garlic

Face of Hope

March 15, 2015 § Leave a comment

At an event I attended, a remarkable young girl caught our attention and imagination. She was with her father and another male family member and they were so protective and caring towards her. She had these beautiful eyes which spoke volumes about her. Patience, hope, and caring were all traits I saw in her small face. I was honored to be able to capture that essence.
March 2012 and Little Girl 025

Lauren in the Looking Glass

November 16, 2014 § Leave a comment

A drawing of Lauren when she was young peering into a mirror on a music cabinet. Notice how the value spectrum really opens up to include whites to very darks leading you as the viewer into the looking glass.IMG_4704

St Paul Cathedral

September 8, 2014 § Leave a comment

I am posting the contour and final drawing of the St Paul Cathedral in St Paul, MN. I was looking above the rectory at the dome and wanted to lead the viewer to that upper area.  This was accomplished by allowing the focal point to contain all of the values including extreme lights and darks.  The gradation scale became more restricted and encompassed only middle range lights and darks in the lower areas.  IMG_3583IMG_3586

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