October 14, 2013 § Leave a comment
We could be two inches tall as we enter this magnified view of Jess and Frankie, We become part of a sentimental moment when the dog nestles into the arms of his mistress peacefully asleep. Included are the contour or line drawing, a partially completed gradation, and the final drawing in color pencil.
September 19, 2013 § Leave a comment
Here is the contour and finished gradation of a floral. Notice how the line drawing does most of the work for you. It reveals the light source, which comes from the right. It tells a story of flowers nestling into their stems as they bend and reach upward. The composition gives a great sense of rhythm and repetition and shows an area of focus which is the flower on the right. Most importantly, it lets your personality shine through. The gradation should not require as much effort as the preplanning, expression, and the hard work have already been done!
August 25, 2013 § Leave a comment
Through the years of studying drawing in both the studio arts and design fields, I have come to appreciate the importance of the contour as the framework for success. Too many times, I would work on a piece without any real notion of what the finished work would look like. If it was successful, largely it was because of happen-stance. When the realization that the contour provides all the information for a well thought out composition came to me, it was a revelation. I have been a true proponent for its value ever since. The contour defines the light source, it describes the form of the subject, it reveals the composition of the drawing, but what is even more important; it reveals the personality of the artist. What more could you ask for?! I am working on a color drawing of Jess and Frankie, her Boston Terrier. The light source is coming from the upper left. Notice how the contour describes the form of her face and what lies under the fur of the dog. Every area of the drawing is well thought out before creating any gradations. The outer corners are not given as much prominence as the areas of the faces. Notice how the contours move from light to dark as they follow the light source and define the three dimensional nature of the subjects. Examine the relationship of the contour with the border of the drawing as the viewer imagines the continuation of the arm, the bodies outside of the parameters of the piece. Take the time to see that my contour is uniquely mine and will be very different from yours. An understanding of the contour and its place in the drawing process is revealed in The Little Book of Drawing. Feel free to give me input!